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03 sound notes sheet

Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are different types of sounds that can be used including selective sounds to highlight key audio, ambient sounds to establish setting, and sound bridges to smoothly transition between scenes. Sound can be either diegetic, existing within the film's world, or non-diegetic coming from outside the story like music or narration. Proper use of synchronous, asynchronous, and contrapuntal sounds further enhance the visuals and create meaning.

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Sound Film sound is as important and as carefully controlled as the visual elements of a text. Although sound is often recorded on set, most film sound is added in post -product ion Film sound will be mixed very carefully to ensure that important sounds are emphasised and that the correct atmosphere for a sequence is maintained Selective sound is: used to emphasise key sound elements within a sequence Ambientsound is: used to create a particular atmosphere or a sense of place Other elements of sound design to look out for:  Sound bridges – the use of sound to help transitions between sequences pass more fluidly  Sound effects – these are used to create a sense of realism or to create some psychological impact of effect Sound can be either:  Diegetic – that is, it exists within the world of the film or  Non-diegetic – that is, it emerges from outside the world of the film, e.g. film soundtracks Diegetic Sound Non-Diegetic Sound  Voices of characters  Sounds made by objects in the story  Music represented as coming from music/instruments/speakers in the story space  Sound that has come from within the film world.  Can come from on screen or off screen as long as it belongs to the nature of the film.  Narrators commentary  Sound effects that are added for dramatic effect.  Musical score/ soundtrack  Non-diegetic sound is represented as coming from a source outside the story space.  The difference between the two depends of our understanding of the conventions of the film viewing and listening
Film sound can be either:  Synchronous – the sound effect is matched with another technical event of action. This reinforces the effect e.g. a punch.  Asynchronous – the sound originates from outside the diegetic reality of the film; the musical soundtrack  Contrapuntal – noise or sound that doesn’t match the visuals; often juxtaposed to create alternative meaning. Other elements of sound design to look out for:  Voiceovers – the voice of the character. This voice often guides or informs the audience but can be used to push them in the wrong directions.  Theme music – this is the music that introduces, develops throughout the ends the film. It often indicates the ‘personality’ of the movie. Characters can have their own theme music which may indicate their emotional journey.  Musical Score – used to create atmosphere, to link shots  Silence – rarely used but this effect is occasionally used to provoke a reaction from the audience.